ANCIENT SACRED SITES IN EGYPT – PART 1

Temples of Rameses II and Hathor at Abu Simbel

The Sanctuaries at Abu Simbel are situated in Southern Egypt, at the second waterfall of the Waterway Nile near the Sudanese line. Rameses II picked the site since it was at that point sacred to Hathor, goddess of parenthood, happiness, and love. This act fortified his godlikeness according to the antiquated Egyptians. It urged them to trust that he, as well, was a divine being.

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In old times, the Incomparable Sanctuary was known as “The Sanctuary of Rameses-Meryamun,” and that implies Rameses, dearest by Amun. It stands 30m (98ft) tall and 35 (115ft) long. There is a half-yearly Sun Celebration which is an old festival that actually happens in Egypt today. On February 22nd and October 22nd, when the sun enlightens the back wall, the sculptures there are washed in daylight.

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Albeit the Incomparable Sanctuary is likewise committed to Ptah, divine force of the Hidden World, Ptah remains properly stowed away from the sun. The current Sun Celebration starts just before dawn. Artists and artists are accumulated to celebrate not simply Rameses II and Nefertari. They likewise commend the surprising mechanical and cosmic ability shown by the antiquated Egyptians.

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Mortuary Temple of Seti I dedicated to the god Osiris at Abydos

On the west bank of the Nile, 90 miles (145 km) north of Luxor, lies the Sanctuary of Abydos close to the little town of El ‘Araba el Madfuna. The Sanctuary dates to around 3150 BC. This region, sacred to Osiris, was a strong area for the people who trusted in the following scene. The old Egyptians expressed that at dusk, the region seemed to be a brilliant flight of stairs prompting life following death.

It was here that Osiris, in the wake of being killed by his sibling Seth, got back to control. Seth had killed Osiris and dispersed the bits of his body all over Egypt. Osiris’ significant other and sister, Isis, accumulated the pieces and set up them back, accordingly reestablishing life for her better half.

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It was said that Abydos was where the last piece, his head, was covered, thus it was here that Osiris was resurrected to turn into the adjudicator of the dead and ruler of the underworld. As Seti I started the quest for an area for his Sanctuary, he was led to an area north of Luxor in the curve of the Waterway Nile. There he started to dig the establishment for his Sanctuary.

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What he found was the Osirion or the Antiquated Sanctuary of Osiris. Whether he really realize that the Osirion was there, maybe we won’t ever be aware, however, after finding this Antiquated Sanctuary in the way of his new Sanctuary, he turned his new Sanctuary to one side. The main Sanctuary in Egypt makes an ‘L’ turn.

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Seti’s sanctuary was committed to Osiris, and comprised of an arch, two open courts, two hypostyle lobbies, seven hallowed places, each to a significant Egyptian god (Horus, Isis, Osiris, Amun-Ra, Ra-Horakhty, and Ptah) and one to Seti himself, a church devoted to the various types of the god Osiris, and a few chambers toward the south.

There are paintings on the walls of this Sanctuary of the Djed support point, a sort of the World Tree, addressing soundness, coherence, and recovery. The Celebration of The Raising of the Djed goes back over 5,000 years to predynastic times-as does the Egyptian Book of the Dead which distinguishes the Djed as both the foundation of Osiris and the help and spine of the universe. The Djed, in any case, is something beyond an article; it is a mythic complex that existed well before Osiris rose up out of the dull domain of the aggregate oblivious.

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Osirion Temple of the God Osiris at Abydos

The section to the Osirion contains numerous initiatory freedoms as pictographs portraying rising. The vestibule opens into the Osirion where the enormous blocks are found.

The flight of stairs of the sanctuary of Seti I at Abydos prompting the patio and the Osirion bears a location in 43 segments of the goddess Seshat to the lord (KRI I, 186-188). The text shows an unbending plan which manages the actual sanctuary and its two gatherings of tenants (the ruler and the divine beings).

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Seshat shows that the three principal components, sanctuary, divine beings, and lord, have each their appropriate spot in the modern and muddled design of the text. The location comprises three sections. The principal concerns the sanctuary, its origination, and its acknowledgment. The second presents the divine beings who live there and the assurance of their sacred nature.

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The third part is dedicated to the ruler who confirms its working. This last part has an extremely perplexing design, regarding the Horus and sunlight-based part of the ruler, the Osirion perspective, and the connection between the two. At the finish of the location Seshat talks, to satisfy her standard errand of enrolling the heavenly majesty of the pharaoh as living Horus, as indicated by the sets of Re and the declaration of Atum.

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There were Sanctuaries of Direct Insight, about which we’re talking now, which permitted the start of the most elevated levels of individual authority. Whenever that was achieved, there were Sanctuaries of Information on which Abydos and the Osirion complex are awesome models.

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Temple of Hathor at Dendera

The as-of-now standing complex at Dendera marks the area of an extremely old blessed place. A sign of the vestige of the sanctuary site is given by the galactic arrangement of the primary sanctuary to Gamma Draconis before 5000BC.

Dendera was the central spot for the love of Hathor, who is differently viewed as the patroness of natural love, the goddess of recuperating, and the extraordinary ladylike wellspring of all sustenance (like the Hindu goddess Kali, Hathor likewise has her horrendous perspectives; in one old legend she is a seething lioness shipped off rebuff humankind for its disobedience).

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It was a loved spot of the journey where supernatural fixes were affected by the goddess; it was a kind of emergency clinic where different physiological, mental, and otherworldly treatments were polished; and it was the location of extraordinary parades and celebrations all through the prophetic cycle.

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An element of Dendera not found somewhere else in Egyptian sanctuaries are the dozen baffling sepulchers, a few undergrounds, a few encased inside the gigantic twofold walls of the upper sanctuary. It has been recommended that these sepulchers were the residence of the goddess, where her sculpture and ceremonial articles were kept and were started the incomparable New Year’s parades commending the beginning of creation.

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In the corner of the night, the sanctuary ministers brought the sculpture of the goddess from the grave, through the hallways of the huge sanctuary, and, rising to the rooftop, anticipated the approaching of the sunrise. As the main beams of the morning sun broke upon the skyline, the sculpture was disclosed. Antiquated texts discuss this service by which: “the goddess Hathor may be joined with the light emissions father, Re” and that “the sky celebrates, the earth moves, the sacred performers yell in acclaim.”

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Encased inside the regions of the Dendera complex are a sacred lake, a sanctuary of the goddess Isis, and a block sanatorium where heavenly mending was rehearsed.

The following are photos of the segments and roof of the forecourt to the Sanctuary, steps utilized by the ministers to carry sculpture from the graves to the rooftop, church of Nut with wonderfully enriched roof, house of prayer of Isis, Sacred lake, the help of Sekhmet in the Sepulcher and house of prayer roof portraying the zodiac.

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